In the 1970s and 1980s, the old downtown core of The Hague was in limbo. 17th- and 18th-century townhouses were neglected and underutilized, providing low-cost space for marginal and low-overhead businesses that had not yet fled to more modern, automobile-friendly quarters in newer high-rise quarters and industrial terrains; fledgling restaurants geared to the cuisine and tastes of new immigrants, Turkish and Chinese mostly; “red-light”-related enterprises; drug “culture;” and dwellings up for squatting. Still, the characteristic tone of the The Hague prevailed. In the photo above: a stark window display embodied The Hague’s no-nonsense approach to commerce, its contents stacked precariously and its sans-serif letter-press signage true to the spareness of the city’s aesthetics. In the photo below: the wryness of the city’s understated sense of humor comes to the fore in a cartoonish, delightfully innocent-looking, street mural portrait of — of all people — American LSD guru Dr. Timothy Leary, with random defacement and senseless graffiti further augmenting its whimsicality. Both photos were taken on 120-size diapositive (slide) roll-film using a Rolleiflex f3.5 Tessar medium-format twin-lens reflex camera.