Istiklal Caddesi, Istanbul. An iconic urban promenade through which millions of pedestrians pass each week. Street musicians huddle along its edges, polished and amateur, youthful and worn. The music of some causes passersby to break stride, that of others attracts small crowds and elicits donations of coins and even banknotes.
Who are the musicians? The business card of the man portrayed in the photo below contained but a phone number and a single word: Kemanci, player of the Keman — a statement of identity and essence clearer and more revealing than any given or family name.
Two Photographic Moods
The photo above is a literal rendering, with strong blacks and whites. The photo below emphasizes grays and was shaped using the digital equivalents of what in the days of physical darkrooms was called dodging and burning, the channeling and blocking of light between negative and paper. Black/white digital processing is both a blessing and a curse: the absence of the physical properties of film and paper and of the effects of chemical processing, broadens possibilities but also eliminates worthy constraints and renders mute a valuable language of expression.